Unfortunately, this type of scam doesn’t just originate from Wells Fargo phishing emails. To hide their crimes, fraudsters redirect you to the real Wells Fargo website, leading you to believe that the whole thing was a legitimate process - until your account is compromised. Finally, you’re redirected to the real Wells Fargo website.Some fraudsters even ask you to provide a selfie in which you are holding your ID (driver’s license, passport, etc.), which they can then sell on the Dark Web. You may be asked to provide personal information to “verify” your identity - such as your phone number, Social Security number (SSN), or bank account and credit card numbers. Once logged in, scammers request even more information.Some links may even contain dangerous malware that infects your computer with viruses. Scammers create fake bank login pages to steal your online banking password, access code, or credit and debit card numbers. When you click on the link, it will take you to a fake Wells Fargo login page.For example, they may claim you need to verify your identity, or that your bank account has been frozen due to suspicious activity. Fraudsters use all sorts of social engineering tactics to get you to click on dangerous links. Next, you’ll be told there’s an issue with your account.Scammers spoof legitimate Wells Fargo emails by using the financial institution’s official logo - copying its typical language, and even changing the “from” name to Wells Fargo. You receive an email from an alleged Wells Fargo account.Here's a breakdown of how this type of email scam usually works: But if you click on links contained inside these phishing attempts, you’ll be taken to fake websites designed to steal your online banking and account information. Wells Fargo phishing emails come in many different forms, but they typically have the same goal: to steal your personal and financial information.Ĭybercriminals send millions of emails a month - masquerading as security alerts or other communications from Wells Fargo bank. What Is a Wells Fargo Phishing Email? How Does the Scam Work? Try Identity Guard risk-free today with plans starting at $6.67/month (and a 60-day money-back guarantee). For over 25 years, more than 38 million people have trusted Identity Guard to help keep them safe. □️ Protect your identity, credit, home title, and assets.
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Tools: 4-in1 screwdriver, mud pan, paint roller, paintbrush, putty knife, and sanders, among others.If you plan to DIY the project, you will need several tools and materials for the project. Also, ensure you request a detailed estimate to have an idea of all the costs involved. While different professionals may offer different rates for the project, you should always choose the most reasonable cost. This project’s labor cost ranges between $250 and $350 or about $50 to $100 per hour. It can take about 4 to 6 hours to complete a 500 square foot project. Skim coating is quite intense, and it involves prepping, sanding, hiding imperfections, mixing, and applying mud spot sanding smoothing. More so, the surface will be smoother and more appealing with two skim coat layers. Although one layer of skim coat is okay, it is advisable to apply two skim coat layers for consistency, especially if the surface suffered from major damage. The average price to skim coat one layer is about $1.20, coming in between $1.10 and $1.30 per square foot. Source: Cost to skim coat drywall for 1 layer per square foot Click here to know more about the average cost. Although skim coating may seem like an unnecessary step, it is essential because it hides imperfections and creates an even finish. However, the actual price will depend on the project size, complexity, finish option, condition, and location. This cost is inclusive of materials and labor. The average cost to skim coat drywall per square foot is about $0.98, with a typical range of $0.90 to $1.07. house costĬost to skim coat drywall per square foot Here is a summary of the average cost to skim coat drywall. The average cost to skim coat drywall Source: National Cost Range (labor and materials) for 500 square foot Cost (labor and materials) for 500 square foot The actual price depends on your location, condition, finish options, and project size. You can pay about $0.34 per square foot for materials alone, coming in between $0.32 and $0.37.įor a typical 300 square foot project, expect to pay about $294 with a range of $270 to $321. Typically, the national average cost for skim coating walls is about $0.98 per square foot, with a range of $0.90 to $1.07. Skim coating, a level 5 finish level, hides imperfections and ensures the surface is smooth and even. After hanging the drywall, you can choose the level of finish you want, depending on your budget. Drywall has become the standard material for most homeowners’ walls and ceilings because it is durable and inexpensive. It has advanced features and a customizable interface that will provide you with the most joy possible. Conclusionįor good reasons, Winamp is one of the most popular multimedia players. You can also enhance the videos and audio with the equalizer and other functions that allow for tweaking your content. 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Winamp is one of the most popular media players that offers you several advanced functions, including rendering your favorite movies and songs, syncing with your preferred devices, and more. since its not possible to attach icns I will upload it as png, I think for better result you should convert it into icns (like with )ĮDIT: In order to use png you have to open the image with preview.app then select all (cmd+A) copy (cmd+C), open infos of TrainerRoad from application folder and after clicking on the icon paste it (cmd+V). Lots of icons from Big SurFiles for Applications NameLast modifiedSize Go to parent directoryActivity Monitor.png0 23:07657.4KAddress. Hope that with this icon fits better in dock by side of other apps. 400+ icons that are a replacement for popular apps in the style of macOS Big Sur, that you can download individually in. With this I don’t want to make profits or use in wrong way the copyrighted logo of TrainerRoad. To undo that just click on it and press del, it will restore the official one. Here is my idea, I edited the official Icon, importing it in a design editor and then making a icns file that you can use by opening all apps, looking for TrainerRoad then opening info (cmd+i) then you can drag the icon file over the existing one on the left of the name. I thought about try to give TrainerRoad a fresher style on this new style. Elevate your creative projects with 12 Free MacOS Big Sur 3D Illustrations, meticulously curated for Logos enthusiasts. macOS doesnt want to copy them for some reason. And yeah, I didnt include the updated folder icons. The website,, has over 4.5K user submited icon, 40K. The third screenshot shows that a TrueNAS 12 server with fruit:model = MacPro7,1 set in its SMB service's aux params, when being accessed by its IP address directly, is shown in Finder with the Mac Pro icon instead of the Xserve.Hello everyone! Since the release of BigSur for macs the app icon style of Apple default apps is changed. Now includes icons from macOS Big Sur whatever, they havent been changed since Beta 10. After seeing the new design language for macOS Big Sur, I started designing some icons for third party apps with the new style, and seeing that I wasnt the only one I designed and built an open source platform to let others design and submit their icons icons, all in one place. when accessing the server over a VPN, or when accessing it via a name or address that does not have a matching _device-info record. The only time that the SMB service's fruit:model value is used by the Finder is when the mDNS broadcast is not available, e.g. Its optimized for MacOS Big Sur and iOS 14. It doesn't pull the fruit:model value from the SMB service's aux params, nor does it pull mimic model or hostname from the AFP service's aux params - it's always set to RackMac. png format covering 250+ applications in 2 different styles. The second screenshot shows the same server after upgrading to FreeNAS 11.3, which always broadcasts a _device-info record regardless of whether AFP is running. png format covering 250+ applications in 2 different styles. We made 12 Mac application icons, to share with you. Our studio try to work in 3d, it is very interesting. The "zfstest" server is retaining its cached icon from before adding the aux params relaunching the Finder will revert it to a generic one. Hi everyone I like the latest updated macos system Big Sur, which is very unified with iOS, but I have doubts about the new icon design, especially the handling of more protruding and dark shadows. You have four ways to view a window: Icon, List, Column, and Gallery. View icons: The four View icons change the way that the window displays its contents. But in this case, I have set hostname = ZFS-Test-NAS and mimic model = AirPort in the AFP service's aux params, causing both the mDNS records for AFP ("Personal file sharing") and _device-info to present an alternate hostname, resulting in a separate icon in Finder just for that service. The keyboard shortcuts Command + for Back and Command + for Forward are even more useful (in my opinion) than the icons. With this version, a _device-info record with the default value of RackMac (the Xserve icon) will be broadcast only if the AFP service is running. In this first screenshot, my zfstest server is running FreeNAS 11.2. The following screenshots use the Flame utility to show exactly what's being returned, although you can also inspect a record's value in Terminal with dns-sd -L servername _device-info._tcp. As mentioned above, the primary factor is the string presented in the _device-info._tcp. For the desktop: Right-click in an empty area and select 'Personalize'. PNG will need to be converted beforehand. Please note: we are working on updating this icon archive to reflect the new versions in the latest release of macOS Big Sur. ico format are suitable for installation in Windows. I want to document exactly what changed between 11.2 and 11.3 with respect to how icons are shown for a FreeNAS server in the Finder. Download and unpack the macosbigsurmaigurisiconsbymaigurisdef6k2q.zip archive using 7zip Only icons in. There are plenty of characters I like, but she’s the one who’s unfailingly interesting and the one who recurs in so many stories. And the stories are so various about her. SF: Baba Yaga, of course! She’s so cool, she clearly was a goddess in some previous stage of the culture. YC: You teach a course in Russian fairy tales, which has been very popular among students. Just the brilliant, brilliant things they do with the language. Tsvetaeya is also fabulous - Brodsky learned a lot from her - and again, she’s my dissertation poet. And, you know, the beautiful use of words. So if you read someone like Joseph Brodsky, you find yourself responding physiologically - there are things he does with enjambments that just take my breath away. But aside from the ways the poetry has been used to justify an imperial project, Russian poetry really has a Pavlovian effect on the reader. SF: The poetry, absolutely one hundred percent. YC: What is your favorite part of Russian or Russian culture? I really don’t know what’s going to happen to the profession given current events. We only have the people in the middle now. And then there were ones in the middle who just thought it was cool, and I was from that group in the middle, obviously, but we’ve lost the crazy hair and we’ve lost the polished shoes. There were the ones with very short hair and perpetually polished shoes, and you knew where they were going. There were the ones with wild eyes and crazy hair, who wanted to freak out their parents. I would say in my graduate school teaching before that, we had three kinds of students taking Russian. And many students were interested in taking Russian. I should say that I finished graduate school right in the balmy years of Glasnost and Perestroika, when many institutions were adding Russian programs that hadn’t had them before. I just figured let’s try this and see what happens. YC: When did you know you wanted to be a professor in Russian? I put it in the desk drawer, and every day I would pull it out and look, and then I thought I would really like to apply for that job, and through many serendipities I actually got it, so it worked out nicely. It was sort of six inches tall, and a whole page wide. And I thought, women writers and poetry, that’s what I want to do. And Thompson Bradley, who was still here, was a nineteenth-century specialist who worked closely on prose. I was flipping through it and saw that Swathmore was looking for a professor who worked on women writers and poetry, because the person retiring hadn’t done those things. SF: At that point, the MLA (Modern Language Association) job list was only on paper, and I picked up a copy in the main office of the Department of German and Russian at Oberlin. So it seemed better to stay here for the moment and work on somebody whose archive was closed. In Russia you couldn’t get diapers, and people were standing in line for hours to get food. Then I had a little baby, and it was a bad, bad moment in the late 80s, early 90s. And one reason I picked her was that her archive was closed until the year 2000. I wrote my dissertation on a Russian poet named Marina Tsvetaeva, who also wrote wonderful essays. My first teaching job was at Oberlin College, and then I came to Swarthmore, which I really, really liked because Swarthmore has topography, and I like topography a lot. I mean, there were all these really interesting literatures from Eastern Europe. I went to former Yugoslavia in 1986 and got my speaking skills and reading skills up to a better level because at the time when I started graduate school, they really weren’t emphasizing other Slavic languages and they always would say “other” or “second languages,” even though people might want to specialize in Polish or something. But I got into graduate school and figured, let’s go check that out. I graduated in 1983, which was during the Cold War, and Russia was in a long phase known as the Era of Stagnation. It was a course on Russian poetry that really pulled me in. I was going to be a French major, but I got sucked into Russian and just really liked it. Sibelan Forrester: I grew up in Colorado, wanted to get as far away as I could to go to college, and wound up at Bryn Mawr College, which I had not visited before going there. Yerin Chang: What is your academic background and some of your teaching and research interests? This week, The Phoenix spoke with Professor Forrester about her publication and her experiences studying and teaching Eastern European literature and Russian at Swarthmore. She recently translated “The Length of Days: An Urban Ballad” by Ukrainian writer Volodymyr Rafeyenko, published by Harvard University Press. An award-winning translator, Professor Forrester has published translations from Serbian, Croatian, and Russian. She specializes in twentieth-century Russian poetry and Russian women writers. Lippincott Professor of Modern and Classical Languages and Russian at Swarthmore College. Rekordbox is a distinctive DJ software made by DJ equipment pros Pioneer. Take your DJ fantasies to another level with this Program! It is packed with works to provide more ways to handle and combine personal and robust audio. 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The authors also recommend you start crucial conversations from facts -as also suggested in Difficult Conversations. As we expand the breadth of our stories, we become calmer and better prepared to having crucial conversations. To break the negative patters we must then look at all other possible stories and change our judgments and conclusions. When we do that, there seem to be a tendency where we take the story the worst possible way., which further escalates emotions. The authors say that when we engage in crucial conversations it’s easy getting emotional and upset. The core of this chapter is to encourage us to look at the facts and the stories from different and more complete angles. The authors say that our emotions come from the stories we make up, not really from reality and facts. CRIB, an acronym to avoid miscommunication and finding out what the others really want.Contrasting (when mutual interest is broken).When respect has been shattered the author suggests that you: When they don’t believe those two are in place, we get silence or violence. When our conversation partners know and believe both of those elements are in place, they can relax and really listen to what you’re saying without defensive barriers. Mutual respect = they must know we care about them.Mutual interest = they must know we care about their interests and goals. There are two ways to make a conversation safe: The best way to do so is to make the conversation safe. The key though is exactly that: being able to say what we want and need to say the most. And we don’t say what we really want to say. So we water it down and look for safer alternatives. The authors say that when we are dealing with a crucial conversation we often feel that our message and our words are the problem. You say you are OK, but I can see you’re notĪre you sure everything is OK, you don’t sound like everything is OK When you see someone being silent a great way to draw them out is to ask something like: Learning to spot and recognize the sign of a crucial conversation is not always easy, but it’s an essential part of being successful at crucial conversations.Įspecially look for signs of silence and violence. To look beyond the appearances it’s often great to ask questions such as “how can I do X and still do Y”. The authors also remind us that we often see difficult conversations as two opposing choices that cannot co-exist. Looking within yourself and asking what you really want is also a great way to avoid damaging feelings such as the need to look good and to “win” the argument. What you want for yourself, for the other(s) and for the relationship(s). The authors also suggest that you focus and ask yourself what you really want. We need to examine our own personal contribution in the problem. Starting with the heart means to start within ourselves first. This is basically the principle of why Ray Dalio pushed so hard in Bridgewater to have a culture of radical transparency and radical open mindedness where people are expected to speak up and share opinions. The more people can be open and put information inside the pool, the more likely it is we will reach good decisions. The author uses an imaginary “pool” at the center among the people conversing. Silence is much more common, and it’s very dangerous when it becomes company’s culture.Ĭhapter 2: Mastering Crucial Conversationsĭialogue is the exchange of meaning when people have a conversation. The more we stay silent, the more we are likely to eventually explode. We either avoid to engage in crucial conversations or we do so hyper-emotionally and in violent ways. The authors say that the two most common destructive patterns relating to crucial relationships are silence and violence. It’s because our emotions take over and our pre-cortex, the region that makes us humans basically, shuts off.Īnd we end up behaving like animals exactly when behaving like human beings is most important. The author says the irony is that the more important the conversations, the more poorly we handle them. In great companies crucial conversations take place and problems are never swept under the rag.Ĭhapter 1: What’s A Crucial Conversation?Ī crucial conversation has three ingredients: What differentiates great companies from good ones, they say, is how they manage crucial conversations. The author says that very often when you found yourself stuck it’s because of a crucial conversation that you are not having or are not having well. ? SUPPORT BESTBOOKBITS BY CLICKING THE LINKS BELOW ? MY FREE BOOK TO LIVING YOUR DREAM LIFE” |
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